Learn multiple ways to experiment gimble tech with blackmagic setup

Motorized gimbals have gained popularity recently due to advances in stabilization technology, particularly in drone tech. Previously, stabilization relied on systems like Steadicam, which used a multi-axis gimbal along with a sled that held the camera and a counterweight. Now, gimbals are cheaper, smaller, and lighter, making them effective tools for filmmakers to achieve steady shots.

While any shot can be steadied by a gimbal, filmmakers can use them in creative ways to tackle challenges that normally require more effort or expense. When choosing a gimbal, consider your specific needs, the price, and the weight or size requirements. Verify that your camera and lens fit the gimbal’s accepted range before buying.

Accessories can enhance the usability of a gimbal, so think about these purchases together. A gimbal alone is just a pole that can be tricky to maneuver. To improve its functionality, you might want to add a handle or grips. Be mindful that adding items increases the overall weight, so limit extras to essentials.

Different gimbal models have various setup methods, but they generally follow a similar process. For example, when using a Blackmagic Pocket Cinema Camera 4K with a cage, strip it down to essentials, keeping only necessary components like a small shotgun mic for audio.

Once you’ve set up the camera, slide it into the gimbal’s mount and secure it. Ensure any axis locks are off, so the gimbal remains free to move. Hold the camera in place to avoid letting it swing freely. Then, manually balance the camera for stability without power. Adjust the axes and the quick release plate until the camera doesn’t move in any direction.

After balancing, power it on. The gimbal will adjust and lock the camera into place. Move it gently through all axes to confirm it functions as expected. If it doesn’t work, turn it off and manually adjust until it’s straight, then try powering it on again. Finally, complete the setup by auto-calibrating the gimbal.

Be aware that adding anything on the camera after calibration will affect its balance. This includes even minor changes, like switching lenses or zooming in on a lens. Wide-angle lenses generally work better on gimbals since they make focusing easier. Set the gimbal’s sensitivity based on your filming needs; for fast movements, it should react quickly.

When the gimbal is turned off, it becomes floppy, making transport a challenge. Most gimbals come with small tripod legs, but it’s difficult to position them safely when powered off. It’s easier to transport the gimbal while it’s on, but this will drain the battery. Finding a case that securely fits both the camera and gimbal together is ideal, as the provided cases often require disassembly, leading to lengthy setups.

Filming while moving still requires caution; fast, erratic movements won’t look good. Walking smoothly with a gimbal takes practice, and poorly executed movements can make footage look uneven. It’s also acceptable to stabilize footage in editing later on, as gimbals are just tools and won’t resolve every issue.

In summary, gimbals are valuable, budget-friendly tools for filmmakers. They are lightweight, small, and user-friendly, although using them effectively comes with its own set of challenges. Remember to consider these factors when working with a gimbal.